An art historian at the University of Amsterdam has identified, with as close to certainty as one is likely to get, the location of one of the iconic paintings of the Dutch Golden Age, Vermeer’s “Little Street.” It was always known to be in Delft, the only city Vermeer painted, but, though others tried, no one could pinpoint the spot. Using maps, water tax records and mathematics, Frans Grijzenhout reasoned that Vermeer must have been standing on Vlamingstraat opposite what are today house numbers 40 and 42. One large clue was the double gate in the painting: a rarity in the 17th century city. The houses of today are different but the size of the lots is precisely the same.
I guess Brooklyn Magazine is now officially my favorite mag. The 100 Books Every New Yorker Should Read.